和幽靈一起的香港漫遊 Wandering Hong Kong with Spirits
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《和幽靈一起的香港漫遊》收錄香港作家廖偉棠的四十一首英譯詩作,中英雙語,是 Hong Kong Atlas 香港文學英譯系列中的其一出版書籍,為首批以文學翻譯在國際文化地圖上記下香港足跡的著作。
本書獲選為2017年香港出版雙年獎文學及小說類的出版獎。
Wandering Hong Kong with Spirits is one of the first publications in the Hong Kong Atlas series. Hong Kong Atlas is an important first step in expanding the English-language canon with a range of Hong Kong voices. By drawing on literature, translation and creative culture as a way of remapping a global city, the Atlas project offers alternative histories to Hong Kong through its own literature. Poems by Liu Waitong translated from the Chinese by Enoch Yee-lok Tam, Desmond Sham, Audrey Heijns, Chan Lai-kuen, and Cao Shuying.
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作者簡介
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廖偉棠
1997年移居香港,後曾旅居北京數年,復又回港,徘徊於香港人與他者的身份之間。 大部分寫作均呈昏暗,火車的路線與流動的元素繪畫出模糊的光影。在這樣的場景之中,文字總帶著跨時空的轉瞬即逝之意與朦朧之像。其詩作游移於國界之間,無法安於往日,卻又無從安於當下,總是不斷奮力記著,不容懷愁生起並完全掩蓋曾走過的軌跡。
Liu Waitong emigrated to Hong Kong in 1997. In early 2000s, he moved to Beijing for several years before returning to Hong Kong. Within these peripatetic movements he has simultaneously become “of Hong Kong,”while maintaining a vestige of “the other.”
Much of his writing is dimly lit, blurred by train lines and the elements. Within these settings, he grasps for concepts to ground what is both fleeting and hazily drawn through various eras. More so than the shifting space of national boundaries, Waitong’s poetry is unsettled by past times, never wholly comfortable in the now. His is a constant struggle to remember without allowing nostalgia to enter and completely obscure the lines.
Shuying Cao
Cao Shuying, born in Harbin, China, lives in Hong Kong. She is a poet and writer, who received her BA and MA in Chinese Literature from Peking University. She has published several poetry and essay collections, and has received a number of awards, including the Liu Li’an Poetry Prize, China Times’ Literature Prize and the Hong Kong Biennial Award for Chinese Literature.
Lai-kuen Chan
Chan Lai-kuen graduated from the Chinese University of Hong Kong with a degree in English, and the Royal Melbourne Institute of Technology University (taken in Hong Kong) with a degree in fine art. Her book of poetry Were the Singing Cats (有貓在歌唱) was published in 2010. It was awarded the Recommendation Prize of the 11th Hong Kong Biennial Awards for Chinese Literature. She has participated in various literature and art crossover projects in Hong Kong and China.
Audrey Heijns
Audrey Heijns received her MA in Chinese Studies from Leiden University and worked as Assistant Editor at Renditions, Chinese University of Hong Kong before joining the City University of Hong Kong as Research Fellow. She is a translator of Chinese poetry and prose, and editor of VerreTaal, the online database of Chinese literature in Dutch translation.
Desmond Sham
Desmond Sham (b. 1984) studied Comparative Literature at the University of Hong Kong and has published poems and literary criticisms in journals and newspapers in Hong Kong and Taiwan. His poetry collection dis-poetry received the Recommended Prize in the 11th Hong Kong Biennial Awards for Chinese Literature.
Enoch Yee-lok Tam
Dr Tam teaches courses on the histories of film art and the creative and media industries in East Asian context. He holds a PhD in the Academy of Film from Hong Kong Baptist University. Before joining Lingnan University, he was the Programme Director of the Bachelor of Arts (Honours) in Creative Writing for Film, Television and New Media, the Academy of Film, Hong Kong Baptist University (2016–2021).
His research engages with film historiography in the Chinese-language film, Hong Kong film history and film policy, and East Asia's creative and media industry. Currently, he is working on a book project examining the development of Hong Kong’s independent film in the post-handover period. He has served as editor-in-chief of the independent academic publishing house Typesetter Publishing 手民, the online film review platform Cinezen 映畫手民 and the online book review platform Paratext 微批.
He also engages in fictional and critical writing. He published his first novel, The Happy Times of Blackeye黑目的快樂時代, in 2011 and published his second collection of short stories, Therefore I sit down and listen to the tales of H City told by Bartender M 於是我坐下,聽調酒師M說關於H城的傳說, in 2017. He co-authored Indiescape Hong Kong: Critical essays and Interviews 香港獨立電影圖景:訪問評論集 (Hong Kong: Typesetter, 2018), a collection of critical essays about local independent films and interviews of independent filmmakers. His other critical writings on film and literature can be found in various local media outlets.
















